Welcome to Haiti Creole 101

I've been an appreciator of Wyclef's musical output since the Fugees first dropped in 1994. As I've said in other reviews, I don't always agree with his public persona (in fact, I think familial allegiances currently, sadly have him on the wrong side of the Haiti independence/JB Aristide issue) but it's his musical output that resonates one million times and here is where Wyclef never fails to deliver. I cop everything that Clef (and Jerry Wonder) puts out. He constantly pushes the boundaries of our musical sensibilities and we'd be wise to just grab on and let him steer the ship. He hasn't failed us yet. Sure, he's taken us into unproductive directions before (like the lackluster duet on Tanya Stephens' "Gangsta Blues" album), but he always rights the vessel and puts us back on the radical course we signed up for.

This is the best Wyclef album that most of us will never hear. It's rich with musical texture and rhythmic experimentation. Clef has provided previous musical...Read more

This is a great CD to get and provides you a blend of Haitian Compas, Haitian Rap & Ragga. In summation, a great overview of old and new generation Haitian music. Try it out, you may learn something.

Liberals who have been curious about hip hop will find this a nice entry point. First of all, it's not really a hip hop record, especially if all you know of hip hop is what you might hear on (someone else's) radio. This isn't Eminem. There is some hip hop on this album, but Wyclef weaves in several forms of carribean music: a touch of salsa here, maybe some soca elsewhere. If you like international pop, you might enjoy this CD. The lyrics are intelligent with a social conscience. There are some party tunes too, though. Even when the politics are serious, the music is fun.